Paint In The Style Of: a July of acrylics
Each session, we borrow a great painter's eyes for the day. This July it's acrylics — the Impressionists (Monet) and David Hockney — plus £6 tasters to get you brave.
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Studio process, plein-air painting, teaching, the Cornish Cycling Sketcher, and the reflective side of building a creative life — published as I go.
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Each session, we borrow a great painter's eyes for the day. This July it's acrylics — the Impressionists (Monet) and David Hockney — plus £6 tasters to get you brave.
I have a Potensic Atom SE drone. Under 249 grams. 31 minutes flight time. Folds down small enough to fit in a cycling pack.
Why I stopped driving to the view, and started earning it. Ride to the spot, paint the spot, ride home — the most honest way I've found to make work outdoors.
I was listening to an Adam Buxton podcast — Emma Diddy, as it happened — and she used a phrase that was slightly coarse and completely right. Something you’d only say to…
Not a grand artistic statement. Not a finished piece. Just a mark, every day, that proves you showed up.
Your brain is a survival machine. It's been filtering out beauty since the Stone Age.
The mind/body/soul connection isn't a wellness cliché — it's a creative operating system.
The moment a student picks up a brush for the first time tells you everything about how humans approach change.
The one habit that fixes most watercolour mistakes — and it costs you nothing but a second of looking.
The five-tone trick that does more for your painting than any colour you'll ever mix.
Everything you need to paint outdoors, and nothing you don't, packed small enough to ride with.
Pen, ink, a little wash, and the courage to work fast in front of strangers.
A painter's guide to the Cornish coast — St Ives, Bedruthan, Wheal Coates, Charlestown, Fowey, Kynance — and how to paint each one without painting the postcard.
The books behind the Children's Book Workshop — and why the best picture books are a masterclass in everything art school forgets to teach.
"I can't draw a straight line" is not a verdict. It's a habit. Here are the exercises that break it — free, and in the open.
An exploration of impasto layering with a palette knife and colour theory exercise experimenting with techniques and their results for a future large scale painting.
Every character starts with a single line. These sketches are from an ongoing picture book project — building personality through gesture and expression.
Everyone talks about creative block.